To see our content at its best we recommend upgrading if you wish to continue using IE or using another browser such as Firefox, Safari or Google Chrome. Shout to the Top (Radio 2, Tuesday) was not a comedy but an hour-long drama, the appearance of which on a music network was a signal for trailers galore, press office overdrive and the attention of Mark Lawson on Radio 4’s Front Row. Verdi was inspired by the wild passions of his four principal characters to write some of his greatest arias.
Director David Bosch emphasizes the conflict between two worlds: the fragile, poetic world of the gypsies (with its fascination with the supernatural) and the brutal military world of Count di Luna.
The staging is a co-production with Frankfurt Opera and is staged with generous philanthropic support from the Royal Opera House Endowment Fund. 4.48 Psychosis is the third opera by British composer Venables, following his ‘anti-opera’ Unleashed, based on recordings of gay men describing sexual encounters, and the ongoing chamber opera project The Schmurz. Kane’s 4.48 Psychosis was completed shortly before the playwright took her life, and since its premiere has been considered the equivalent of a suicide note. Kane’s plays are powerful theatre works, but they also have extraordinary potency when read. Venables is the first person to hold the post of Doctoral Composer-in-Residence at The Royal Opera and the Guildhall School of Music & Drama, the first position of its kind specifically to support composers of opera.
The awards were held at the Savoy Hotel in London on 15 May 2016 and were hosted by BBC Radio 3 presenter Petroc Trelawny. Gianandrea Noseda, who conducts upcoming performances of The Royal Opera's Il trovatore, won the award for Best Conductor. Kunde performed live at the event, as did soprano Ermonela Jaho, who collected The Readers' Award – the only award voted for by the public.
The new production, a co-commission between Aldeburgh Music, Opera North and The Royal Opera, will be preformed at the Lyric Hammersmith. Garrett performs the role of Val, the toilet attendant who works in the gay club, Pleasure. As well as the compelling subject matter, Garrett praises the work’s creative team, led by Liverpudlian composer Mark Simpson. Garrett explains that Pleasure, which is directed by Tim Albery, will appeal to newcomers and seasoned opera-goers alike as it is sung in English and lasts just 1 hour and 15 minutes. The production is a co-commission and co-production with Aldeburgh Music and Opera North, supported by a legacy from Ms D.
In this film, the rising composer discusses why his new work, set in a gay club and infused with elements of Greek tragedy, will appeal to everyone – including those who might not have seen an opera before. The libretto was written by award-winning writer Melanie Challenger and includes a mix of acting and singing.
The production is a co-commission and co-production with Aldeburgh Music and Opera North, supported by a legacy from Ms D.
The creative team for the premiere of Pleasure includes director Tim Albery and designer Leslie Travers, each highly-acclaimed for their work in opera internationally – Albery’s previous credits with The Royal Opera include Tannhauser.
Pleasure is the third in a series of co-commissions between Aldeburgh Music, Opera North and The Royal Opera, begun in 2013 to commemorate the legacy of Benjamin Britten through chamber operas from a new generation of opera makers.
Following the announcement last week that Russian soprano Anna Netrebko has withdrawn from Norma, the role will now be sung by Bulgarian soprano Sonya Yoncheva. Director of Opera Kasper Holten expressed his gratitude to the Metropolitan Opera, New York: ‘A huge thank you to the Met for releasing the brilliant soprano Sonya Yoncheva from her scheduled performances there as Mimi in La boheme. Sonya Yoncheva made her Royal Opera debut in Placido Domingo’s Operalia Winners’ concert in July 2012. For Gerhaher, ‘The really interesting thing to me is I don’t believe that Tannhauser ever loved Elisabeth.
The production is given with generous philanthropic support from Dr and Mrs Michael West, Simon and Virginia Robertson, Maggie Copus, Peter and Fiona Espenhahn, Malcolm Herring, the Tannhauser Production Syndicate and the Wagner Circle.
Vocal coach Paul Farrington shared these secrets and more at a coaching session with Korean tenor and Jette Parker Young Artist David Junghoon Kim, as part of a recent Insights event celebrating the opening of the Wellcome Collection's This is a Voice exhibition.
Working with the aria ‘Recondita armonia’ from Act I of Puccini's Tosca, Paul explores the 'passaggio', the transition area between the vocal registers, which he refers to as ‘the gear box of the voice'.
During the session, Paul demonstrates how specific vocal techniques and movements can support a singer's passaggio. The Wellcome Collection's This is a Voice exhibition takes visitors on an acoustic journey, focusing on the meaning and emotion conveyed through rhythm, stress and intonation of the voice. In collaboration with the ROH, the exhibition also includes an interactive sound installation created by electronic musician Matthew Herbert. Chorus asks visitors to sing a note which is automatically added to an ever evolving chorus of voices, including performers and staff from the ROH.
The soprano Elsie Morison (1924–2016) was a leading soprano in the early days of the Covent Garden Opera Company, later The Royal Opera. Morison made her debut with CGOC in 1954, in the Rex Whistler-designed Fidelio singing Marzelline under conductor Clemens Krauss.
Morison followed this with wonderful performances as Marenka in a new production of The Bartered Bride under Rafael Kubelik, the newly appointed Musical Director of CGOC – and Morison’s future husband. Morison had a tremendous success as Marenka alongside a stellar cast that included Jess Walters, Peter Pears and Otakar Kraus. Morison sang Blanche in the UK premiere of Poulenc’s Dialogues des Carmelites in 1958 under Kubelik, with Joan Sutherland as Madame Lidoine.
Morison married Kubelik in 1963, and decided to retire from performing at the height of her career.
It was about a girl band in the Eighties, the Velveteens, made up of two students and a pub landlord’s daughter. That question revolves around the manner of Christ's coming back to this earth at the end of the world. First, He will come secretly to take the church to heaven, and then, seven years later, He will come in an open demonstration of power and glory.
According to the two-stage teaching of His coming, both groups would not grow together until the end of the world. And how could the "last trump" sound if it really wasn't the very last moment of time? In an attempt to uphold their contrived theory, the rapturists quote Matthew 24:40, 41 out of context. Those who entered the ark in Noah's day were saved, and those who refused to enter the ark were left outside.
But, actually, instead of teaching two separate events, the Greek terms are used interchangeably in the Bible.
But they have been repeated so often that millions have assumed that they must be soundly biblical.
Whatever else may be taught in Revelation 3: 10, it is evident that no extra coming of Christ is indicated.
In Daniel 9:24-27 God made a daring prophecy concerning the probation of the nation of Israel. They do this by stating that it is Antichrist that causes the sacrifice and oblation to cease after three and one-half years.
Paul settles the entire matter for us in the first few verses of 2 Thessalonians chapter 2. Revelation 20:4 assures us that some of those who are raised in the first resurrection will be those who refused to worship the beast and receive his mark! At the time of the Reformation, most of the reformers understood the prophecy of the Antichrist to refer to the great apostate system of Romanism that developed during the Middle Ages. The teaching spread to the United States in the 1850s and 1860s, where it was to receive its biggest boost when Cyrus Ingerson Scofield, a strong believer in Darby's teachings, incorporated it into the notes of his Scofield Reference Bible, which was published in 1909.
As we have noticed, the Bible clearly teaches that Jesus Christ will come the second time in glorious majesty to take His redeemed home with Him.
The gypsy Azucena has vowed to avenge the murder of her mother at the hands of the aristocratic Luna family, and so has abducted their younger son. According to some sources he saw Il trovatore as a spiritual sequel, this time with a female protagonist trapped between love for her child and urgent desire for vengeance. His score includes dramatic narratives, reflective arias, impassioned duets and fiery choruses – including the famous Anvil Chorus using industrial tools as percussion.
The military setting complements the personal war between Manrico and the Count, rivals in love.
The five plays she wrote in her short life are remarkable works that challenge and transform the ideas of what theatre can be. But text plays an integral part in many of his compositions, from The Revenge of Miguel Cotto, a collaboration with poet S.J. This has played into Venables’s longstanding interest in the interplay of written, sung and spoken text. The studentship offers one composer every two years the opportunity to research and write a large-scale work, mentored by senior figures from each organization. American tenor Gregory Kunde, who will sing the role of Manrico in David Bosch’s new production, was named Best Male Singer.
Audiences discover Val is mourning the loss of her son, who was taken from her by the authorities after they became victims of domestic violence. In the last decade he has gone on to cement his position as one of Britain’s most exciting musical talents, as both a performer and composer. Simpson recalls how ‘one evening, as I stood pouring my heart out to a toilet attendant in one of the clubs, I suddenly started to see the world around me with a new sense of objectivity… This was a world where you could escape your own reality.
Simpson recalls the experience of watching his first opera come to life in rehearsals: ‘I’ve never seen first-hand this level of detail going into the directing process. Pleasure is a tight 75 minutes long, scored for just four singers and ten musicians – played by members of acclaimed contemporary ensemble Psappha, which gave the premiere of Simpson’s first piece when he was 14. For instance, he introduces David to what he calls a 'minor and a major Shirley', recognisable diva-like movements associated with the singer Shirley Bassey. Rather than the traditional understanding of the voice through linguistics, this exhibition explores its psychological and physiological origins, illustrated through paintings, manuscripts, illustrations and objects.


The installation can be heard in the exhibition space, on the Wellcome Collection website and via a listening post at the ROH's Stage Door on floral street. She came to London from Australia after World War II and concentrated throughout her distinguished career on such roles as Susanna (Le nozze di Figaro), Marenka (The Bartered Bride) and Pamina (Die Zauberflote).
Later that year Morison sang Antonia in Gunther Rennert’s new production of The Tales of Hoffmann under Edward Downes, and in 1955 was a thrilling Mimi in La boheme under Reginald Goodall.
Her winning the role had not been easy: Morison’s original audition had not gone well, and David Webster, General Manager of Covent Garden, pushed for her to be heard again. She was a charming Pamina in Christopher West’s new production of The Magic Flute, and her beautifully sung Susanna in the 1956 performances of The Marriage of Figaro under John Pritchard was well matched by Geraint Evans’s Figaro.
Morison made her final Covent Garden appearances in 1961, first singing Euridice in Frederick Ashton’s production of Orpheus under Louis de Froment.
In between those two events, the Antichrist is supposed to come into power and the great tribulation period takes place. Now why would Jesus promise to be with the church until the end of the world if He intended to come seven years before the end to take them out of the world?
Only as we accept all that the Bible says can we be safe from such deceptive teachings that are confusing millions of sincere Christians today concerning this most glorious event of all ages, the second coming of Jesus Christ. Why would Christians be exhorted to keep hoping to the very end of the world for the grace brought through the revelation of Christ if their real hope was a secret rapture seven years before the revelation? Let's take a look at some of the texts that have been used to support the doctrine of a two-phase coming of Christ.
Jesus completely clarified the meaning by something He said in John 17:6, 15 which sounds very similar.
There is not one single scriptural reference that ties the seven years to the end of the world or the coming of Christ.
But Daniel states that it is Jesus who caused the sacrificial system of the Jews to cease when He died on the cross. How completely this demolishes the futuristic school of prophetic interpretation is evident, for they claim that the emergence of the Antichrist and the imposition of his mark are to be looked for after the first resurrection and what they call the secret rapture. In the Scottish church pastored by Edward Irving, a Miss Margaret McDonald gave what was believed at the time to be an inspired utterance.
Since that time, this view has been widely accepted - often by people who are completely unaware that this was not the belief held by Christians over the centuries.
It will be a personal, visible, and earthshaking event that everyone alive will know about. The opera joins the story years later, when Azucena’s foster-son Manrico and the military commander Count di Luna have become rivals in love for Leonora. Work on Il trovatore took time (Verdi’s librettist Salvadore Cammarano died in 1852, and Leon Emanuele Bardare was brought in to complete the text) but the opera finally had a successful premiere on 19 January 1853 at the Apollo Theatre in Rome. It uses traditional operatic conventions but also subverts them, and demonstrates from start to finish an immense musical energy, reflecting the inexorable process of this drama of vengeance. Imagery of snow and fire also reflects the extremes and oppositions of the different social groups, and the vividly drawn passions of the leading characters.
Controversial at their premieres, her plays are now celebrated as linchpins of British theatre, praised not only for the innovations they make but also for Kane’s unflinching exploration of depression and for her vibrant, beautiful language. Fowler commissioned by London Sinfonietta, to his settings of poetry by Simon Howard in numbers 76–80 : tristan und isolde and numbers 91–95, and by Sean Bonney in Socialist Realism. The play has no character list, no speech cues and minimal stage directions; this built-in directorial freedom ensures no two productions of the work can be the same. His creative relationship with poet Melanie Challenger, librettist for Pleasure, began in 2008 when he read her collection Galatea; Simpson recalls how ‘up until this point I had never experienced the written word as viscerally as I had experienced musical sound’. It’s taught me a lot about how to approach the inner world of the characters and how to reflect this in the music I write… On a daily basis, I am confronted with just how complex the staging of opera can be. The opera had its premiere at Howard Assembly Room in Leeds on 28 April, with Alfred Hickling writing for The Guardian ‘Simpson has pulled off a genuine coup’. We are delighted and appreciative that Sonya will be able to join our excellent cast and creative team for The Royal Opera’s new production of Norma. She returned later that year as Marzelline in the iconic Otto Klemperer production with Klemperer conducting; the famous cast also included Sena Jurinac, Hans Hotter and Jon Vickers.
Written by Roy Boulter and Louise Wener, both former band members, performed by a well-chosen cast, it sounded confident enough to become a series as soon as Radio 2 can scrape together the budget. This shows that the coming (parousia) of Christ and the revelation (apokalupsis) of Christ are the same event. The fact is that there are many Scriptures that admonish Christians to wait and watch for the coming of the Lord.
Most rapturist literature mentions the seven-year tribulation period without offering any Bible proof or explanation.
A misinterpretation that confuses something Christ has done, and applies it to the devil instead, is certainly a tragic occurrence. Azucena has a secret that affects both men: will she tell it, or will she see her revenge through at any cost? Kane was insistent that her plays belonged in the theatre, and adaptations of her writing for other art forms are rare. These and other works also share a common thread in Venables’s fascination with violence – its allure, its power and its consequences.
Kane’s text sometimes suggests a dialogue, sometimes intense soliloquy, frequently blossoming into passages of painful beauty; and, as with all her works, combines an upsetting and uncomfortable exploration of the human condition with sharp flashes of pitch-black humour. He went on write A mirror-fragment…, inspired by Galatea, and in 2015 they collaborated on the oratorio The Immortal for the Manchester International Festival. He took this kernel of an idea to Challenger, who wove from it a libretto that takes real-world grittiness and blends it with super-heightened reality and themes from Greek mythology.
Kubelik was enchanted and immediately sent a telegram to Sir David with the news that ‘We have our Marenka’. So, to keep at bay all consequent tears and rages, I have been roaming the airwaves in search of laughter, joy, higher thoughts and good company. 90213-1560 TEL 310-786-7700 FAX 310-777-5455 AISHA TYLER Celebrity Photo Syndication of Hollywood Celebrity Photos since 1970 Aisha Tyler Photo by Gilbert Flores Celebrate Mary J. These texts clearly describe the coming (parousia) of Christ as taking place after the reign of the man of sin, not as an escape rapture before the reign of the Antichrist begins.
In fact, it is only after a person has already assumed that Christ will return in two separate comings that these verses could even suggest the idea. Let us carefully study our Bibles that we will not be deceived concerning this most important and wonderful hope, the second coming of Jesus. Froom, The Prophetic Faith of Our Fathers, Vol 2, Review and Herald Publishing Association, 1950, pp.
Philip Venables’s operatic adaptation of 4.48 Psychosis, Kane’s final play, is the first of its kind. For Venables, ‘it’s not about blood and guts – it’s about that huge conflict of wanting love and wanting happiness and not being able to find it’.
We’re trying to re-create a kind of polyphony of inner voices – all those voices in your head.’ Venables uses his cast of six singers and 12 musicians to create new contexts for Kane’s text.
When the beautiful, unpredictable Nathan comes looking for answers, Val’s mystery begins to unravel. The heavens and earth could not pass away seven years before the world ends - that is the end! Please notice that God was going to allow Daniel's people seventy weeks to see what they would do with the Messiah when He appeared. Daniel 9:25 says that the Messiah would be anointed after sixty-nine of those prophetic weeks had passed by. They agree that the sixty-nine weeks of Daniel 9:25 refer to the period before Christ's first advent, but then they insert a 2,000-year gap before the seventieth week is fulfilled. 484-510.)a€?a€?2Dave MacPherson, The Incredible Cover-Up, Logos International, 1975, Omega Publications, Medford, OR. 484-510.)2Dave MacPherson, The Incredible Cover-Up, Logos International, 1975, Omega Publications, Medford, OR.
Yet Paul declares that the saints are caught up to meet the Lord at the same time the dead in Christ are raised.
The seventy weeks are prophetic time, and each day represents a literal year (Ezekiel 4:6). Another three and a half years would lead up to the end of the seventy weeks and the end of Jewish probation.
So the seventy weeks would be a literal period of 490 years, after which the Israelites would no longer be God's people. The text that is used to prove the rapture is seen actually to forbid the saints being taken out of this world during the time of trouble. 27, the very year that Jesus was baptized by John and the Holy Spirit anointed Him for His ministry. The Jews had rejected the gospel message and were no longer God's people - just as Daniel had predicted.
It bustles along, shifting assorted real-life infatuations, elopements and enthusiasms into the higher planes of nonsense. Henceforth they could be saved only as individuals, in exactly the same way as the Gentiles.
Oddly, however, the thrust of the performances seemed greater than the grip of the narrative.
Sean Dooley plays Gabriel Oak with solid conviction, Alex Tregear is Bathsheba, Toby Jones is Boldwood, all of them good enough to make you wish you had time to get to know them. 689-692 (1962) Human Perception of Illumination with Pulsed Ultrahigh-Frequency Electromagnetic Energyby Allan Frey, Science, Vol. 90213-1560 TEL 310-786-7700 FAX 310-777-5455 LAUREN, SERRA AND CHINA MCCLAIN Celebrity Photo Syndication of Hollywood Celebrity Photos since 1970 Beth Ostrosky Photo by Joe Kerr An Evening of Enchantment to benefit the St.


No sooner have I finished avoiding its repeats in the 6.30pm slot than the jingling signature tune signals a new run in the mornings. If Radio 4 were to bring in a show called The Aagh Factor this would be my first nomination. 90213-1560 TEL 310-786-7700 FAX 310-777-5455 BARRY BONDS AND HIS WIFE Celebrity Photo Syndication of Hollywood Celebrity Photos since 1970 A.C.
Baker, Youth Action Newsletter, Dec 1994. "A nation can survive its' fools, and even the ambitious. An enemy at the gates is less formidable, for he is known and he carries his banners openly. But the traitor moves among those within the gate freely, his sly whispers rustling through all the galleys, heard in the very hall of government itself. For the traitor appears not a traitor--He speaks in the accents familiar to his victims, and wears their face and their garment, and he appeals to the baseness that lies deep in the hearts of all men. He rots the soul of a nation--he works secretly and unknown in the night to undermine the pillars of a city--he infects the body politic so that it can no longer resist.
Box 1560 - Beverly Hills, C ADRIAN STECKEL, CEO AZTECA AMERICA, WIFE, SON AND DAUGHTER Celebrity Photo Syndication of Hollywood Celebrity Photos since 1970! The CIA also claims it is not obligated to provide the veterans with medical care for side effects of the drugs.
Its the CIAs third attempt to get the case dismissed.In a 2009 federal lawsuit, Vietnam Veterans of America claimed that the Army and CIA had used at least 7,800 soldiers as guinea pigs in Project Paperclip. They were given at least 250 and as many as 400 types of drugs, among them sarin, one of the most deadly drugs known to man, amphetamines, barbiturates, mustard gas, phosgene gas and LSD.Among the projects goals were to control human behavior, develop drugs that would cause confusion, promote weakness or temporarily cause loss of hearing or vision, create a drug to induce hypnosis and identify drugs that could enhance a persons ability to withstand torture. The suit was filed in federal court in San Francisco against the Department of Defense and the CIA. The plaintiffs seek to force the government to contact all the subjects of the experiments and give them proper health care. Department of Veterans Affairs released a pamphlet said nearly 7,000 soldiers had been involved and more than 250 chemicals used on them, including hallucinogens such as LSD and PCP as well as biological and chemical agents. According to the lawsuit, some of the volunteers were even implanted with electrical devices in an effort to control their behavior. Rochelle, 60, who has come back to live in Onslow County, said in an interview Saturday that there were about two dozen volunteers when he was taken to Edgewood.
They were told that the experiments were harmless and that their health would be carefully monitored, not just during the tests but afterward, too. The doctors running the experiments, though, couldnt have known the drugs were safe, because safety was one of the things they were trying to find out, Rochelle said. The veterans say they volunteered for military experiments as part of a wide-ranging program started in the 1950s to test nerve agents, biological weapons and mind-control techniques, but were not properly informed of the nature of the experiments. They blame the experiments for poor health and are demanding the government provide their health care. In virtually all cases, troops served in the same capacity as laboratory rats or guinea pigs, the lawsuit states. The suit contends that veterans were wrongfully used as test subjects in experiments such as MK-ULTRA, a CIA project from the 1950s and 60s that involved brainwashing and administering experimental drugs like LSD to unsuspecting individuals. The project was the target of several congressional inquiries in the 1970s and was tied to at least one death. Harf said that MK-ULTRA was thoroughly investigated and the CIA fully cooperated with each of the investigations. The plaintiffs say many of the volunteers records have been destroyed or remain sealed as top secret documents. They also say they were denied medals and other citations they were promised for participating in the experiments. They are not seeking monetary damages but have demanded access to health care for veterans they say were turned away at Department of Veterans Affairs facilities because they could not prove their ailments were related to their military service. It grew out of the Agencys Operation BLACKBIRD and was a forerunner to the Agencys MKULTRA. Project ARTICHOKE also known as Operation ARTICHOKE was run by the CIAs Office of Scientific Intelligence. ARTICHOKE offensive mind control techniques experiments attempted to induce amnesia and highly suggestive states in its subjects.
ARTICHOKE focused on the use of hypnosis, forced morphine addiction, forced morphine addiction withdrawal, along with other drugs, chemicals, and techniques. The main focus of the program was summarized in a January 1952 CIA memo, Can we get control of an individual to the point where he will do our bidding against his will and even against fundamental laws of nature, such as self-preservation?One program experiment attempted to see if it was possible to produce a Manchurian Candidate. In Richard Condons 1959 novel The Manchurian Candidate an American soldier, who has been placed into a hypnotic state by Communist forces, returns home to assassinate on command.
A January 1954 CIA report asks the question, Can an individual of [redacted] descent be made to perform an act of attempted assassination involuntarily under the influence of ARTICHOKE? Argued December 4, 1984 Decided April 16, 1985 .Between 1953 and 1966, the Central Intelligence Agency financed a wide-ranging project, code-named MKULTRA, concerned with the research and development of chemical, biological, and radiological materials capable of employment in clandestine operations to control human behavior. 159, 162] program consisted of some 149 subprojects which the Agency contracted out to various universities, research foundations, and similar institutions. Because the Agency funded MKULTRA indirectly, many of the participating individuals were unaware that they were dealing with the Agency.MKULTRA was established to counter perceived Soviet and Chinese advances in brainwashing and interrogation techniques.
Over the years the program included various medical and psychological experiments, some of which led to untoward results.
These aspects of MKULTRA surfaced publicly during the 1970's and became the subject of executive and congressional investigations. Argued April 21, 1987 Decided June 25, 1987 Respondent, a serviceman, volunteered for what was ostensibly a chemical warfare testing program, but in which he was secretly administered lysergic acid diethylamide (LSD) pursuant to an Army plan to test the effects of the drug on human subjects, whereby he suffered severe personality changes that led to his discharge and the dissolution of his marriage.
Upon being informed by the Army that he had been given LSD, respondent filed a Federal Tort Claims Act (FTCA) suit. The District Court granted the Government summary judgment on the ground that the suit was barred by the doctrine of Feres v. 135 , which precludes governmental FTCA liability for injuries to servicemen resulting from activity incident to service. Although agreeing with this holding, the Court of Appeals remanded the case upon concluding that respondent had at least a colorable constitutional claim under the doctrine of Bivens v.
388 , whereby a violation of constitutional rights can give rise to a damages action against the offending federal officials even in the absence of a statute authorizing such relief, unless there are special factors counselling hesitation or an explicit congressional declaration of another, exclusive remedy.
Respondent then amended his complaint to add Bivens claims and attempted to resurrect his FTCA claim.
Although dismissing the latter claim, the District Court refused to dismiss the Bivens claims, rejecting, inter alia, the Governments argument that the same considerations giving rise to the Feres doctrine should constitute special factors barring a Bivens action.In February 1958, James B. Stanley, a master sergeant in the Army stationed at Fort Knox, Kentucky, volunteered to participate in a program ostensibly designed to test the effectiveness of protective clothing and equipment as defenses against chemical warfare.
He was released from his then-current duties and went to the Armys Chemical Warfare Laboratories at the Aberdeen Proving Grounds in Maryland.
Four times that month, Stanley was secretly administered doses of lysergic acid diethylamide (LSD), pursuant to an Army plan to study the effects of the drug on human subjects. According to his Second Amended Complaint (the allegations of which we accept for purposes of this decision), as a result of the LSD exposure, Stanley has suffered from hallucinations and periods of incoherence and memory loss, was impaired in his military performance, and would on occasion awake from sleep at night and, without reason, violently beat his wife and children, later being unable to recall the entire incident. One year later, his marriage dissolved because of the personality changes wrought by the LSD.
December 10, 1975, the Army sent Stanley a letter soliciting his cooperation in a study of the long-term effects of LSD on volunteers who participated in the 1958 tests. 669, 672] This was the Governments first notification to Stanley that he had been given LSD during his time in Maryland. 2671 et seq., alleging negligence in the administration, supervision, and subsequent monitoring of the drug testing program. Ewen Cameron): The man who I had thought cared about what happened to me didnt give a damn. Ewen Cameron conducted CIA-funded experiments on troubled Canadian patients he was meant to help MacIntyre: the CIA caved in the day before the trial was to begin. They settled out of court for $750,000 at the time it was the largest settlement the CIA had ever awarded. 28, 1984 (digital clip) It sounds like a science fiction plot or a horror movie: A front organization for the American CIA sets up shop in Canada to engage in mind control experiments.
But its no fiction, its the discussion on the floor of the House of Commons and among lawyers for the Department of External Affairs. Canadians caught up in the research, including a member of Parliaments wife, may finally get some action from the government in their pursuit of answers and compensation. Recruited Ex-Nazis By SAM ROBERTS December 11, 2010 After World War II, American counterintelligence recruited former Gestapo officers, SS veterans and Nazi collaborators to an even greater extent than had been previously disclosed and helped many of them avoid prosecution or looked the other way when they escaped, according to thousands of newly declassified documents. Men who were classified as ardent Nazis were chosen just weeks after Hitlers defeat to become respectable U.S.
Reinhard Gehlen (middle) and his SS united were hired, and swiftly became agents of the CIA when they revealed their massive records on the Soviet Union to the US.
The men designed the CIAs interrogation program and also personally took part in the waterboarding sessions. But to do the job, the CIA had to promise to cover at least $5 million in legal fees for them in case there was trouble down the road, former U.S.
For the simple reason that it would inexorably lead to the covert biological war programmes of the 1950's.
According to CIA documents, K indicates both knockout and kill, depending upon the circumstances under which researched biological products were employed by CIA operatives in the field operations conducted under Project Artichoke and later programs.



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